Persona: A Biography of Yukio Mishima by Naoki Inose

By Naoki Inose

Yukio Mishima (b. 1925) was once an excellent author and highbrow whose relentless obsession with attractiveness, purity, and patriotism led to his incredible self-disembowelment and decapitation in downtown Tokyo in 1970. Nominated for the Nobel Prize, Mishima was once the best-known novelist of his time (works like Confessions of a Mask and The Temple of the Golden Pavilion are nonetheless in print in English), and his legacy—his persona—is nonetheless commemorated and questioned over.

Who was once Yukio Mishima quite? This, the 1st complete biography to seem in English in virtually 40 years, strains Mishima's trajectory from a sickly boy named Kimitake Hiraoka to a hard-bodied pupil of martial arts. intimately it examines his kin existence, the wartime years, and his emergence, then repute, as a author and suggest for standard values. printed listed below are the entire personalities and conflicts and infrequently petty backbiting that formed the tradition of postwar literary Japan.

Working fullyyt from basic assets and fabric unavailable to different biographers, writer Naoki Inose and translator Hiroaki Sato jointly have produced a huge paintings that covers a lot new flooring in extraordinary intensity. utilizing interviews, social and mental research, and shut interpreting of novels and essays, character gets rid of the masks that Mishima so artfully created to hide his precise self.

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Additional info for Persona: A Biography of Yukio Mishima

Sample text

And as soon as the time was up, she would snatch the baby from her and take him to her room downstairs. ” “It was dangerous to have boys for his playmates, mother said, and she would call together in her room three older girls she handpicked,” Shizue continues.

Evidently proud of his paternal grandmother Natsuko’s lineage, Mishima explored it and wrote about some of the people on that line, including Natsuko, but he seldom, if ever, talked about his paternal grandfather Sadatarō or his ancestors. This is odd. If Natsuko’s forebears, the Nagais and Matsudairas, included men who played notable roles during the upheaval as Japan was forced, with the  visit of Commodore Matthew C. Perry, of the US Navy, to discard the isolationist policy that had lasted for more than two centuries, Sadatarō’s forebears, the Hiraokas, employed wit and talent to deal with the sweeping social change inevitable as the new era arrived.

So probably was Mishima Yukio proud. Though he does not seem to have left any word on Tatsugorō in his writings, Mishima was a great fan of yakuza; he loved to dress like one and had a couple among his friends.  The second and most influential head of the Mito House was Mitsukuni (–).  Mitsukuni’s enterprise also led, in its last phase, to a strong emphasis on the Wang Yangming ideal of “to know is to act” and the credo that a proper samurai must be accomplished in both literary (bun) and martial (bu) arts (bunbu ryōdō).

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