Ethics and Literature in Chile, Argentina, and Paraguay, by Carlos M. Amador

By Carlos M. Amador

This e-book argues for a brand new examining of the political and moral throughout the literatures of Argentina, Chile, and Paraguay from 1970-2000. Carlos Amador reads a sequence of examples from the final dictatorship and the present post-dictatorship interval within the Southern Cone, together with works by means of Augusto Roa Bastos, Roberto Bolaño, Ceferino Reato, Horacio Verbitsky, Nelly Richard, Diamela Eltit, and Willy Thayer, with the aim of uncovering the common sense at the back of their conceptions of belonging and rejection. targeting theoretical strategies that make attainable the formation of any and all groups, this examine works in the direction of a imaginative and prescient of literature as necessary to the constitution of ethics.

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Extra info for Ethics and Literature in Chile, Argentina, and Paraguay, 1970-2000: From the Singular to the Specific

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Claims of legitimacy to torture and censor are, in turn, always validated through the semantic field of the official state discourse. The first field of state discourse, is of course, designed to reinforce the legitimacy of this state apparatus and to fundamentally reify the relations of power. The nueva escena’s work neither acceded to nor confronted this enforced legitimation, but rather engaged a liminal sphere, seeking a way of reading and engaging with the scene of Chilean representation that would fracture the totalizing content of the Chilean regime of signs.

AMADOR the spaces of speaking and public signification. avanzada’s emergence would focus on the remains left by Pinochet’s destruction: Lo cultural, bruscamente cortado de sus fuerzas de correlación social, se sumerge en la tarea de juntar los pedazos de una totalidad rota realizando manifestaciones que se coordinan a través de talleres, agrupaciones, etc. (Richard 125) The cultural, brusquely cut from its forces of social correlation, becomes submerged in the task of joining together pieces of a broken totality by realizing happenings coordinated in workshops, art groups, etc.

For having proposed to reformulate the link between art and politics beyond mechanical correspondence or illustrative dependency, beyond discursive subordination to the category of ideology: but in a way that simultaneously insists and overrides the privilege of aesthetics as a sphere ideally detached from the social (and its oppression frame) or exempted from responsibility for a critique of the effects of dominance. “El movimiento” that Richard talks about opened a space in Chilean arts and letters that had been foreclosed by the brutal repression of the regime and the politics and exposed to a cultural limit-situation that, according to Richard, was a “una plena zona donde ha naufragado el sentido, debido no solo al fracaso de un proyecto histórico [the Allende Unidad Popular 13 Residuos and Metaforas 188 (2006).

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