A Biographical Dictionary of Actors, Volume 5, Eagan to by Philip H. Highfill, Kalman A. Burnim, Edward A. Langhans

By Philip H. Highfill, Kalman A. Burnim, Edward A. Langhans

Unlike one another, quantity five is a sociological portrait of more often than not little humans of their tragic and comedian efforts to accomplish repute at the London degree in the course of the recovery and eighteenth century, while quantity 6 is dom­inated by means of the glamour of David Gar­rick, Nell Gwyn, and Joseph Grimaldi, the distinguished clown. a few 250 por­traits individualize the good and small of the theatres of London.

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Extra resources for A Biographical Dictionary of Actors, Volume 5, Eagan to Garrett: Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800

Sample text

Eball. See ABELL. Ebelin, Christopher [fl. 17321754], violinist. The Mr Ebelin who held a benefit concert at Hickford's Music Room on 6 March 1732 was probably Christopher Ebelin, one of the original subscribers to the Royal Society of Musicians on 28 August 1739. The Ebelin who was paid 8s. for playing tenor violin in the performance of the Messiah at the Foundling Hospital in May 1754 was very likely the same person. Eberardi, Teresa [fl. 17601762], singer. Teresa Eberardi (or, incorrectly, Eleardi) was first noticed in London documents when she was announced as one of the singers engaged by Signora Mattei for the King's Theatre in the Haymarket.

In 1799 Edwards's friend Boydell commissioned him to paint a scene from The Two Gentlemen of Verona. He painted a number of subjects from the bard's works for Boydell's Shakespeare Gallery, and he provided some portraits of actors for Lowndes's New English Theatre. In 1800 his mother died at the age of 93; she had apparently been in his care the previous 40 years. Edwards published A Treatise on Perspective in 1803 and spent his last years preparing Anecdotes of Painters who Have Resided or Been Born in ENGLAND; with Critical Remarks on Their Productions.

The earliest mention of an Edwards who may have been our subject was on 27 May 1786 at Covent Garden, when the benefit tickets of a Mr Edwards were accepted at the theatre. He was similarly cited there on 30 May 1787. By 15 June 1792 he was working for the Drury Lane company at the King's Theatre, where he served also in 179293. At the new Drury Lane on 6 June 1795 Edwards shared a benefit with 11 other boxkeepers, as he did on 13 June 1796, 16 June 1797, and 14 June 1798. The Edwards who shared a benefit at Drury Lane on 4 July 1799 was more likely John Edwards, another boxkeeper.

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